FRANCE // No matter your impression of impressionism, you can't fail to be moved by the loveliness of Claude Monet's pink-hued house and flower-filled gardens at the Mason et Jardins de Claude Monet in Giverny, which he planted - and painted - while living here for his final 43 years. You'll recognise settings from some of the artist's most famous works, including his Japanese Bridge and water-lily-filled Jardin d'Eau (Water Garden). From early to late spring, daffodils, tulips, rhododendrons, wisteria and irises appear, followed by poppies and lilies. By June, nasturtiums, roses and sweet peas are in flower. Come September, the gardens are a riot of hollyhocks, dahlias and sunflowers.

What are the descriptions of Monet's garden at Giverny?

The artist's garden in Giverny displays numerous rows of purple and pink irises under large trees draped over them. Exploring different colors and textures, his love for the beauty of nature is evident, and Monet took great care in adding rich detail to each flower.

Are the Monet paintings at Giverny real?

If you love Monet and want to see any of his paintings, there is no original MONET painting in the family home or in all of Giverny. However, many copies of the poor oil painting are displayed in Monet's family home.

When did Monet settle in Giverny?

1883
Monet finally moved to Giverny in 1883 with his partner Alice Höschde and his six children from his marriage to Ernst Höschde and Monet's two children from his marriage (the youngest never knew his mother, who died in childbirth in 1879). Giverny was a real refuge for Monet.

What is special about Giverny?

The famous lotus ponds and colorful gardens created by Impressionist master Claude Monet at his home in Giverny, near Paris and Rouen, provided his greatest artistic inspiration and made this small village on the Seine famous around the world. . the world

What is the description of Monet's garden at Giverny?

Claude Monet's gardens at Giverny are like his paintings - colorful patches that are chaotic but balanced. The flowers were her brushstrokes, a little untamed and imperfect, but part of a carefully composed design.